| Martin & Robin Novak-Smith | Chase Coley | Ben Cain | Karlos Gil | Katie Hare | Milena Mateus & Rodrigo Camacho & Roxana Albayati | Henry Mulhall |
| John Henry Newton | David Somlo & Alexandra Baybutt | Chooc Ly Tan | Bea Turner |
Planes of Flow is an allusion to the idea of 'impossible objects', geometrical two-dimensional figures that are subconsciously interpreted by the visual system as representing a projection of a three-dimensional object which is in reality imposible, as it suffers from distortions and breaks from other view-points.
Such as an example is the 'Apolinère Enameled', a 1916 advertisement painted by Marcel Duchamp which depicts a girl painting a bed-frame with white enameled paint, including conflicting perspective lines that produce an impossible realisation ofsuch. As the exhibition space was a second-hand furniture shop, inmense in its dimension, impossible in its structure, the exhibition brought together a series of works that question our co-existence with objects, moulded around the impossibility of a stable reality in which ourselves and the objects that surround us are in perpetual flow.
∙ Mark Aerial Waller ∙ Misha Bies Golas ∙ Pil and Galia Kollectiv ∙ Hannah Lees ∙ Diana Policarpo ∙ Salvatore Arancio ∙ Margita Yankova ∙ Madalina Zaharia ∙ Hollie Slaughter ∙ Michael Speers ∙ Harvey Grant & Kerala Dust ∙
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The LivingRoom presents A leap of faith, the third act of the project that introduces the work of twelve artists in an extraordinary venue, St. Laurence Church in Catford. Built in the 60's, the religious setting gives continuation to the Anglican tradition whilst looking into the future through its architecture and decor.
A leap of faith is an ecounter of simultaneous temporalities, considering at once the universe, civilisation and the individual; questioning our existence in relation to infinite time and space or to a particular moment in history.
| John Henry Newton | David Somlo & Alexandra Baybutt | Chooc Ly Tan | Bea Turner |
Planes of Flow is an allusion to the idea of 'impossible objects', geometrical two-dimensional figures that are subconsciously interpreted by the visual system as representing a projection of a three-dimensional object which is in reality imposible, as it suffers from distortions and breaks from other view-points.
Such as an example is the 'Apolinère Enameled', a 1916 advertisement painted by Marcel Duchamp which depicts a girl painting a bed-frame with white enameled paint, including conflicting perspective lines that produce an impossible realisation ofsuch. As the exhibition space was a second-hand furniture shop, inmense in its dimension, impossible in its structure, the exhibition brought together a series of works that question our co-existence with objects, moulded around the impossibility of a stable reality in which ourselves and the objects that surround us are in perpetual flow.
∙ Mark Aerial Waller ∙ Misha Bies Golas ∙ Pil and Galia Kollectiv ∙ Hannah Lees ∙ Diana Policarpo ∙ Salvatore Arancio ∙ Margita Yankova ∙ Madalina Zaharia ∙ Hollie Slaughter ∙ Michael Speers ∙ Harvey Grant & Kerala Dust ∙
⁎⁎
⁎
The LivingRoom presents A leap of faith, the third act of the project that introduces the work of twelve artists in an extraordinary venue, St. Laurence Church in Catford. Built in the 60's, the religious setting gives continuation to the Anglican tradition whilst looking into the future through its architecture and decor.
A leap of faith is an ecounter of simultaneous temporalities, considering at once the universe, civilisation and the individual; questioning our existence in relation to infinite time and space or to a particular moment in history.